No Hollywood ending for flood- and virus-haunted Venice

Entertainment Live: It’s been a bad year for Venice. In November, the highest tides in over 50 years left it submerged the famous Italian lagoon city drenched, despondent and economically devastated.

Fast forward to February when the surrounding region, Veneto, saw Italy’s first death from coronavirus an epidemic that went on to kill over 35,000 people in the country.

Finally this month, the opening of the prestigious Venice film festival on September 2 was trumpeted as a sign of hope and renewal for the beloved yet
beleaguered city.

But one week into the world-renowned “Mostra del Cinema” on the beachfront Lido, a twenty-minute boat ride from Venice, many Venetians say there is
still little to celebrate.

“Nothing has changed much,” said Francesca, a tour operator manning a stand on the Venice waterfront who declined to give her last name.

For those locals accustomed to the estimated 30 million tourists who visit each year, whose presence makes it a challenge to cross the Rialto Bridge or
snap a photo of the Bridge of Sighs, the city feels empty, she said.

Visibly missing are visitors from the United States and China, among other countries, who are still prohibited from travelling to the country.

“All my family works in tourism. It makes me sad on one hand, but it’s beautiful,” she said, referring to the fewer tourists. Although visitors now outnumber pigeons and seagulls in Saint Mark’s Square, and hotels are at 40 to 50 percent capacity, according to the mayor, the city has not yet hit its stride.

Many businesses are still shuttered from the coronavirus lockdown. About a third of shops lining Saint Mark’s Square were closed on Tuesday,
as a few hundred tourists meandered around, enjoying the sunny weather.

Venetians also point out that those who attend the festival don’t necessarily move outside their film industry bubble on the Lido.

“People come but it’s not like people come to buy fish,” said Andrea Dei Rossi, a seller inside the Mercato di Rialto, whose fish market has been in
operation since the 11th century.

“It’s been a hard year for all of us,” Dei Rossi said. “The fact that we’re open is wonderful.” Dei Rossi’s business is down 80 percent this year, he said, due primarily to the closure of many of the city’s restaurants.

The festival, now in its 77th year, is a scaled-down version of its former self this September amid ongoing travel restrictions preventing many stars,
filmmakers and industry executives from attending.

But restaurants, bars and other businesses on the Lido are enjoying at least a temporary boost with the arrival of the film crowd.

One waitress, Betelehem Pilastro, described the festival as a yearly “adventure” that “gives so much work to so many people.” Others are more sceptical, like water taxi driver Walter, who asked his
last name not be used.

“There are hardly any films, just some Italian productions. It’s a political festival that had to happen no matter what, even without content, to show that Venice is alive,” he said.

The Serenissima, as the floating city of Venice is called in Italian, is home to a mere 50,000 residents who lament the city’s depopulation, the worsening annual flooding, and the mass tourism threatening their environmentally fragile city.

The infamous “acqua alta,” or periodic high water, hit 187cm (6 feet 13 inches) in November, the highest level since 1966.

The city declared a state of emergency as shops, homes and over 50 churches were inundated with water, causing millions of dollars in damages and a
collapse in tourism.

Still, the insecurity felt today by locals was worse than anything experienced in her lifetime, said the 75-year-old.

 

Dhaka, 9 September (campuslive24.com)//MI

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